The coolest sounding RPG book I’ve heard of in a while
Lucha Libre HERO! I can’t imagine ever getting around to running this but I like the fact that I live in a word where it can exist.
(via Ken Hite)
New Mieville Extract
One of my favourite ’speculative fiction’ authors from the last few years has to be China Mieville. Reading Perdido Street Station for the first time was a revelation. That’s still my favourite book of his and, to be honest, I haven’t enjoyd his last couple so much, but I still look forward to a new work with some anticipation. The combination of the grotesque, fantastical and political really appeals to me even when he’s not at his best.
Kraken is his upcoming book (out in the UK in May) and there’s an extract at the publisher’s website. It’s just a short one but it’s a great set up. It’s a return to the real real world – actual London (like in King Rat) rather than made up eastern Europe (like in The City & The City) so that will be interesting. Most people, including myself if I’m honest, would prefer a return to Bas-Lag, the world of Perdido Street Station, The Scar and Iron Council, but a man’s gotta write what he’s gotta write – the worst possible thing would be a new Bas-Lag novel just for the hope of selling more copies!
I waited to buy The City & The City until I saw it on sale and I suspect I’ll wait for this in paperback too, unless it gets really seriously good reviews. Luckily Mieville is one of those guys who everyone has an opinion on so at least there will eb lots of reviews.
I added this blog for a really bad reason
I just subscribed to Game Stooge entirely because of this. I am an idiot.
Serenity Now
While we all wait for what Joss does next, the A.V. Club has an extremely insightful discussion of Serenity in it’s ‘New Cult Canon’ feature. The line is basically this: it’s a love letter to fans that doesn’t hit the highs of the show and here’s why. And I more or less agree.
I travelled with a friend down the highway to Geelong to watch Serenity in a pre-release screening. I had a good time, liked the film, saw it once again in the cinema on general release with another friend and bought it when it came out on DVD in order to help boost sales and convince them to make more. We now know that that’s never going to happen but what the hell. At least I have it on DVD right?
But here’s the problem: I’ve never watched the DVD. Beyond that, I’ve never revisited the original Firefly series (which I also own on DVD). I’m currently watching (extremely slowly) Buffy with my highly horror adverse wife and I’m enjoying it – we’re only two episodes in and it’s still astonishingly amateurish but it’s fun. When I think of Firefly now I think of it being (a) slightly forced and (b) unfinished. Now I know that (b) is not Whedon’s fault but (a) certainty is. Firefly, I suspect, is not going to go down in history as one of the great shows. If Fox hadn’t canned it in mid-stream, the reasons it is so missed would have been removed. Hopefully it would have provided new reasons to be missed, but I don’t think we’d seen them yet.
HBO greenlights A Game of Thrones
George R. R. Martin reacts here, with links. I’m pretty excited about this – the series is human-centric enough to not require much in the way of effects and the story is complex enough that it needs TV, not movie, timelines. Who knows how well it will do but I can’t wait.
Need a 1920’s character photo?
I had a GM a while back who required us to all get photos for our characters. It wasn’t something I’d done before and I’m not sure we really used them much but I thought it was a decent idea.
Today I found (via Very Short List) this cool flickr set of 1920’s passport photos. They’re of famous people but they’re largely not recognisable (and not all of them are still famous). Perfect for a Pulp game or some 20’s Call of Cthulhu.
Want to play ars Magica? Live in Singapore?
If so check us out!
My Gamemaster is looking to expand our group up to 4 players (we’re currently at two). It’s a fun game (that I should post about more) so hopefully we’ll find someone soon.
Fall – Episode 20 “Reaching my Limits, Part 1″
This weeks episode was another mostly character driven affair. We were all also pretty tired and/or sick so things moved kind of slowly, but not in a bad way. We had some great character development and I started Alex down a path that I’ve recently realised is totally in keeping with her character. So with out further ado…
What next for Whedon?
Since the cancellation of Dollhouse I’ve been thinking a lot about why it’s creator, Joss Whedon, seems to keep making the same mistakes. Some people have commented that it’s because he’s a bit of a diva, or perhaps it’s just that he is a victim of his own hype and success.
I haven’t blogged much about Dollhouse’s cancellation, mostly due to a lot of other people already what I had to say. As a series it was deeply flawed and didn’t always get it right, but the thing it always had underpinning it was that it was just so different. That difference in approach to a theme is classic Whedon, as much as the layered characters and pithy dialogue. It wasn’t Buffy or Angel and it certainly wasn’t Firefly. It was it’s own beast, with it’s own issues.
Did the US network, Fox, step in and mess it up? Maybe. Did the show tiptoe around it’s loaded subject matter? Of course it did. It was about human slavery, prostitution and a person’s hunt for self when they’re stuck in that world. It’s heavy stuff, too heavy no doubt than a lot of everyday TV watchers.
The fans watched though. Us rapid fan boys and girls who lap up anything “The Whedon” does and then sit around for months and years afterwards talking about how good it was. How it was canned too soon. Despite the fact that we fans meant the almost guaranteed success of the internet musical Dr. Horrible’s Sing-a-long Blog we are not enough to keep a major US TV network happy.
So what next? There is that episode of Glee that is coming up, but that won’t be a Whedon show. It will be an episode of Glee directed by Joss Whedon, not written. Then of course there is the much rumored follow up to Dr. Horrible. They’d be mad not to really. Will Joss Whedon go back to TV? I’ve heard it said that he’s not interested, at least not in it’s traditional format.
I’ve talked about this with a few people and I reckon there are two formats that would suit a Whedon style story down to the ground:
- Mini-series format – Torchwood did it for their Season 3 and it was amazing. I reckon Joss Whedon could really blast this format. 5 x 1.5 hour episodes, back to back and really concentrating on the story. Though he’s have to work on that slow build up thing of his that seems to happen in every series , bar Firefly.
- Online streaming – This is the other format that has been mentioned a lot. A regular show, with proper production values which is shown only on the internet. Anyone who wants to watch it pays a subscription, and then at the end of the season the DVDs are released as normal. No networks exerting control or pulling the strings. The technology is there and the fan base as well, pretty much all of whom are very internet savvy.
So those are my vague thoughts on the matter. It’ll be interesting to see what comes next, whether it be ‘net based, TV or another movie.
Monday Musings: A gaming conundrum
In the last few years I’ve come into contact with a heap of different table top roleplaying games some of which I’ve played and others that I’ve just wanted to.
Recently though I’m finding that the games that I play which demand a high level of player buy in and direction are the ones I’m enjoying the most. This doesn’t just mean “dirty hippie indie games” (or small press games, or shared narrative games or what ever you want to call them) but also more “traditional” games in which the players take an active role in trying to develop the plot, rather than just waiting for the GM to tell them what happens so they can react to it. This often means that I get disappointed as both a player (when a GM refuses any input from me into the outcome of an action or scene) and as a GM (when the other people I play with want me to tell them exactly what I want to happen, with no input from them) because I see this roleplaying thing we do as a a shared story telling experience.
I really enjoy shared narration games. I love how they promote more player buy in for their characters, especially in the compressed time frames of Con games. The fantasic play experiences the I’ve had with these games have made me expect more from the people I play with, and made me fight against the idea that as a GM I’m just here to “bring the fun”. Being GM doesn’t stop me from being a player, it just means I have a different role.
So what to do about this? How am I going to continue to play in and run games where I feel that I’m getting out of them what I want? Well for starters I’m going to write games where that kind of buy in is needed. Some times that means mixing more traditional games with shared narration ideas, like I did in a recent Mongoose Traveller scenario I wrote, Still to Come. Other times it will be to ask the players for the things they want to happen, and if they don’t focus on those who do. As a player I’m going to offer ideas to the person running the game and if those ideas are consistently ignored or sidelined I’ll find myself another game.
All these things are easier said than done. But it’s something I’ve been thinking about a lot lately, so expect more posts of my random game related musing.